I'm still doing the gemstones. I think there is a never ending supply. One mine dries up and another one pops up, or, rather down. The lure of these bizarre growths present a never ending challenge. Actual jewellery illustrators use gouache on grey paper when working up visuals of their designs.
Anyhow, mine are more like portraits. Using watercolour, I try to give these flat renditions some life, wit, and expression; to say what they are about, and so converse with their friends and admirers.
Friday, 13 July 2018
Friday, 22 December 2017
|Morganite hexagonal prisms on matrix|
|Pseudomorphous after a shell|
|Radiating rubellite prisms|
My mineral research has taken over for the time being. Not that I am being obsessive; it just looks that way. Apart from aesthetic considerations, which for any artist is most important, there is also the quest for understanding and accuracy. If something can be seen; it's worth noting it down. The gem series is about looking, being as faithful as I can to the idiosyncrasies of their natural formations. Bit like portraiture I suppose. These three specimens are from the mineral room in the Natural History Museum, London. I hope I have done them justice, and that they could recognise themselves.
Sunday, 3 September 2017
...and back with the bollard. This is the one in front of the main entrance to Peter Jones, not that you can tell of course. The previous studies where not as accurate as they should have been, and the last inked version lacked a sense of solidity. I'm planning on a Chelsea post card set, so when I've got this new version inked to my liking, it will be joining the line up.
Monday, 31 July 2017
Working drawings. I used to do all my work from life as a finished piece in it's own right. My theatres are a halfway house of the process, but these are the genuine article. Not intended for public view (even though they're on here) created on layout paper and certainly not finished. The sloane square lamp will be reduced, traced off on a lightbox and then will end up as a neat little drawing with my carbon pen in carbon ink. The rather bizarre one on the right is the base of a drawing I did complete from life, of the two boys lighting the lamp by Cadogan Pier. I ran out of space when I first drew it, and I'd promised myself I'd go back and finish it off. This likewise will be put through the scanner and with the help of some reference shots to fill in the details, will somehow join its other half.I did do a couple more this afternoon, but they really are only intelligible to me ;)
Monday, 29 May 2017
|Ruby 1 & 4|
This was the time to revist the original and see if with a little acceptance of a ruby's characteristics, and those of Alizarin and Cadmium red, had I done such a bad job afterall?
Nothing that a damp brush couldn't fix, no. This was bourne out by that great arbiter of worth; the new amount of likes on Instagram.
Sunday, 30 April 2017
These may not be architecture, but they are still geometric shapes. Even though they are way smaller than my building drawings, they still took me a long time to paint. The garnet at 37mm across, consumed two and half hours. All from photographs, regrettably!
Thursday, 6 April 2017
Back outside, and in Granary Square at the end of March. Still lots of building work going on around Kings Cross, so I took another opportunity to draw some cranes and a couple of planes. Anyway, a good exercise in hand eye co-ordination, and speed, as the evening chill factor quickly drove us inside The Lighterman.